Il fut une époque où l'on ne s'aquittait pas de droits d'entrées dans les bals musette, mais plutôt d'un droit de danser, sous forme de jetons de danse.
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Dans sa biographie Titi des Enfants Rouges, Léon Agel (batteur puis éditeur) en explique le fonctionnement :
"Celui que je préférais était l'As de coeur, rue des Vertus, c'était le vrai musette. On payait sa consommation trois francs et vingt-cinq centimes pour chaque danse que l'on faisait.
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L'orchestre attaquait refrain, couplet et refrain, les ramasseurs munis de sacoches encerclaient les danseurs, à l'aide d'une corde et criaient : "passons la monnaie". L'opération terminée ils se retiraient sur les côtés en criant "Roulez".
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Il n'y avait pas moyen de passer au travers. Il fallait donner ses cinq sous ou un jeton acheté à la caisse. Si l'on se réfère à un article d'Emmanuel Patrick, publié en 1886, cette pratique avait été innovée, à cette époque, dans un petit bal de la rue de Charenton. Un violoneux faisait danser et sa femme ramassait les pièces de deux sous en criant "Passons la monnaie" à la moitié de la danse , puis "Roulez" pour la reprise. La musique reprenait le même air ; refrain, couplet, refrain ou simplement : couplet, refrain.
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A l'As, cela revenait cher mais l'ambiance était formidable."
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